12 anonym Unicats
ca, 50 Pieces
Missa sexta vocum, Missa de Dringhs, Missa de Martiribus
12 anonym Unicats ca, 6 alternative Instrumentations
all Pieces ca. 5 alternative Instrumentations
only only boys and mens voices
in the sound of Harpsichords from 1540, 1579, 1590, 1628 in historic tuning
B
(Pigalle Harpsichord 1771 bzw. Silbermann Rötha vs. Steinway D 1951)
(Miklisch Harpsichord 1670 vs. Steinway D 1951)
(Vater Harpsichord 1738 vs. Steinway D 1951)
(Zell Harpsichord 1741 bzw. Silbermann Freiberg 1735 vs. Bechstein D 282)
(Lute, Theorbe, Guitar, Luteclavier, Theorbenfl&uunl;gel and Bechstein D)
Dulcken Cembalo 1755/Steinway D
Dulcken Cembalo 1755/Steinway D
Dulcken Cembalo 1755/Steinway D
Niederländisches Carillon/ Dulcken Cembalo 1755 bzw. Hintz Orgel Leens/Steinway D
Dulcken Cembalo 1755/Steinway D
(Taskin Cembalo 1787 / Steinway D)
B
a) Walther Pianoforte(1810) b)Steinway D
(early )classical
a) Graf (1826), b) Bechstein D 282
,historic pianoforte
4 Valses oubliee(Erard 1849/Bösendorfer)
Transkriptions of Beethovens Symphonies - 1-5 (Erard 1849/Steinway D)
(Steinway D 1908 vs. moderner Steinway D)
(Study 1 based on Chopins Etuede op.25-2, Study 2 based on Webers Perpetu-mobile, Study 3 based on Bachs Presto from BWV 1001, Study 4 based on Bachs Presto from BWV 1001, Study 5 on Bachs Chaconne BWV 1004, Study on Schubert op.90,2)
historic grandpianos
(Steinway D 1908 vs. moderner Steinway D)
C
Pianosonatas: Nr.1 f-minor op.1, Nr.7 Bb-major op.83, Nr.8 Bb-major op.84 a) Steinway CD121 (1951), b) Bechstein D 282
B